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One World Romania | Sectiuni | Marcel Lozinski – stapanul hazardului

SECTIUNI

SECTIUNEA

MARCEL LOZINSKI ? STAPANUL HAZARDULUI


Partea cea mai buna este ca, in cele din urma, nu mai stii ce este inscenat si ce este viata.

Nascut la Paris in 1940, Marcel Lozinski este unul din cei mai renumiti regizori polonezi. Filmele lui au fost incununate de numeroase premii (la Oberhausen, Cracovia, San Francisco, Leipzig, etc.) si unul dintre ele (La 89 mm de Europa) a fost nominalizat la Oscar in 1994. In cei 40 de ani de cand face cinema, Lozinski s-a afirmat nu numai ca unul din regizorii cei mai inovatori ai generatiei sale, dar si ca om de atitudine, fiind un critic extrem de vocal al societatii comuniste. Scurt-metrajele lui din acea perioada vorbesc despre discrepanta dintre realitatea vietii personale si lozincile vietii oficiale, despre influenta presei ca instrument de indoctrinare, despre minciuna si compromis. Acest lucru l-a costat: dintre cele 12 filme realizate intre 1972 si 1980, doar 4 au fost cat de cat distribuite. Dupa instalarea legii martiale in Polonia in 1981, Lozinski a ales sa nu mai faca filme, preferand compromisului tacerea. A reaparut in viata publica in 1989, regizand dupa aceea o serie de filme care l-au propulsat din nou pe avanscena cinematografica. Dupa caderea comunismului, interesul sau a migrat treptat spre subiecte existentiale, mai putin angajate politic, dar mai general umane.

Lozinski a vorbit in repetate randuri despre necesitatea de a introduce – intr-o situatie reala - un catalizator care sa „accelereze realitatea” si sa determine adevarul sa iasa la suprafata. In filmele lui a folosit actori infiltrati printre personajele reale sau le-a convins pe acestea sa participe la o mizanscena care face mastile sa cada. Łoziński aseamana lumea cu un acvariu in care pestii stau linistiti. Rolul sau, al regizorului, este de a involbura apele in asa fel ca pestii sa inceapa sa se agite si sa elibereze tensiunea latenta. In incercarile sale de a stapani hazardul, Marcel Lozinski ni se infatiseaza de fiecare data altfel. Fiecare film din selectia noastra este expresia inventivitatii si a nevoii sale de a se depasi creativ. Un om si un cineast din ale carui experiente ne putem hrani pe saturate. (A S)