Incident is the most recent work from filmmaker Bill Morrison, whose decaying film strips as hypnotic visual symphonies made him a key figure of contemporary cinema. Here, the filmmaker inverses his usual modus operandi. Instead of looking beyond the content, towards the very physical matter of the images, Morrison goes now back to what is contained within the frame,  this time pushing to the breaking point digital footage from various types of surveillance cameras that capture one of the many fatal police errors that echo the way "law and order" is enforced in the United States. Choosing not to appeal to the rhetoric of any of the ideological or political factions that actively comment on such tragic incidents, Morrison presents with sobriety the different technological viewpoints that are inevitably also human. (Liri Alienor Chapelan)