Reset. Get Real. Enjoy the festival!
The 11th edition is, for us, a moment of renewal and growth. In 2018 we come forward to our audience with a new team and a new approach. It’s a new beginning. Reset. The festival is significantly extended – from 7 to 10 days, from 50 to over 80 films; the program is presented in 8 locations; the accompanying events have – in this new formula – a special prominence; the festival is announced and prepared by three weeks of warm-up events.
However, around us, in the real world, we see the rise of authoritarianism, the regression to all sorts of fundamentalisms, the revival of racism and intolerance; in our neighbouring countries or in the realm of great powers, justice and civil society are attacked, citizen rights are restricted and history is once again the ground of state propaganda.
The festival’s message in 2018 becomes more distinct against this background. More than ever, we need to open our eyes and… Get Real: in this year of the centennial anniversary, we look back to a picture from 1848, “Romania breaking its shackles on Liberty Plain”. We have transfixed this ideal picture into a real landscape, the landscape that exists beyond our bubble and which we refuse to see. A Romania still handcuffed by poverty and basic gaps; one in which different, contradictory worlds coexist. More than ever, these worlds need to know each other and to communicate. This is our reason to exist, as a festival and as an association.
In this edition, the past that illuminates the present has a central place. Around this pivot gravitate other sections and events, devoted to 1968, the cultures of protest, the memory of archives and to the way filmmakers play with the representations of the past. The festival brings forward the role of art as social and political action, but also that of education, as the ground which can nurture the real change.
A special accent of this 11th edition is placed upon the rights of the LGBTQ community. A few months ago, while setting the agenda of our festival, we didn’t foresee that – in Bucharest – some screenings of films dedicated to this subject will be stopped by people who refuse to watch them at least. It would be extraordinary if we could convince them to watch those they fear and they reject. It would be extraordinary if we could, all of us, look beyond our bubble. This would be a new beginning.
Andrei Rus & Alexandru Solomon
For the sixth consecutive year, we organized the High-School Students’ Jury, made up of five teenagers who awarded the festival’s only prize. This year they were selected on the basis of a national essay competition with the theme “Are you what you learn?” The need for a prize awarded by teenagers was born out of a desire to include the voices of the young generation in the debate about human rights. They know what the burning issues are and what they want to put an end to or to change, and it is our duty to give them free reign to make their choices.
Throughout the festival, our young jurors watched the n10 competing films, met with their directors and producers and learned about the world through these documentaries. The mission to award the festival’s only prize was a coming of age process for them, as they weighed both the artistic value and the topic and message of the films selected by One World Romania’s team. The award was presented to the documentary “The Other Side of Everything” by Serbian director Mila Turajlić.
At the Award Ceremony, the five jurors were invited onto the stage to present to the audience their motivation for choosing the winning film:
“The topic of the documentary has made us contemplate at the recent history of our country and it seemed relevant to the way we learn in school. It was like a lesson of history that we probably will not receive in the near future at school. The main character also inspired us, and the way she fighted for the things she believed in encouraged us to have confidence in our own opinions and to fight for them. The film has several narratives that live together: the divided society, the tumultuous history and the house with its story.”
GUEST FILMMAKERS
Ada Solomon, Alexandra Wesolowski, Ana Branea, Ana Dumitrescu, Angelika Spangel, Anne Fabini, Asli Özarslan, Bernhard Braunstein, Bill Morrison, Boris Mitić, Chris Kelly, Claude Ferland Milewski, Claudiu Mitcu, Corneliu Porumboiu, Cosmin Bumbuț, Cristina Haneș, Daisy Asquith, Daniel Abma, Daphni Leef, Dieter Schumann, Dragoș Hanciu, Dragoș Turea, Elena Stancu, Elitza Gueorguieva, Florent Vassault, Gürcan Keltek, Henry Rammelt, Ileana Bîrsan, Jessica Gorter, Karel Kovanda, Kazuo Hara, Klára Tasovská, Leni Gruber, Lotte Mik-Meyer, Lucio Basadonne, Lukáš Kokeš, Marcel Schreiter, Marco De Stefanis, Maria Olin Hustad, Mary Jirmanus Saba, Matthias Krepp, Maxim Pozdorovkin, Mila Turajlić, Mona Nicoară, Monica Lăzurean-Gorgan, Monika Grassl, Monika Macdonagh-Pajerová, Nora Agapi, Nora Lam, Orban Wallace, Paco De Onis, Pamela Yates, Péter Forgács, Peter Yam, Pietro Pasquetti, Radu Ciorniciuc, Ronen Zaretzky, Ruxandra Gubernat, Sachiko Kobayashi, Shevaun Mizrahi, Silvia Jop, Tereza Nvotová, Thierry Michel, Till Schauder, Tristan Ferland Milewski, Venerable Luon Sovath, Vitaly Mansky, Wissam Al-Zoabi, Yael Kipper, Yony Leyser, Yves-Marie Mahé
SIDE EVENTS GUESTS
Ada Milea, Adriana Speteanu-Vasiliu, Alexandru Marinov, Alina Manolache, Alina Pavelescu, Alina Tudor, Ana Szel, Andreea Bragă, Bernard Guetta, Bogdan Ghiu, Bogdan Suditu, Chlorys, Cosmina Moroșan, Dana Bunescu, Elena Vlădăreanu, Iulia Popovici, Lavinia Betea, Maria Balabaș, Marius Cosmeanu, Marius Deaconu, Marius Păcuraru, Michael Loebenstein, Mihai Fulger, Mirela Dima, Nicoleta Chiriță, Oksana Sarkisova, Paula Dunker, Pavel Sterec, Pc Harem, Petra Dobruská, Radu Jude, Raluca Voinea, Rodica Păun, Ștefan Buciuc, Stefanie Eckert, Svetlana Cârstean, Tudor Chirilă